After reading through Hyperbole and a Half through its print version and its online version, I have found several key differences that really enhance both versions. It was interesting to read the series “Depression” in its online form because it is very interactive. There is no alt-text or hidden text, however, the fact that I can scroll through the webcomic without a pause and shows all the images at once, helps keep my attention on the illustrations and the captions that go alongside it. One of the main differences that show Hyperbole and a Half is different than other webcomics is that it doesn’t just have pictures and captions, it has long narratives in addition to all of that.
Although, the webcomic has all three components: illustrations, captions, and long narratives, the print version mostly features the narratives and illustrations. So that really stood out to me. Additionally, Allie Brosh’s writing style and her illustrations are very comical and entertaining. Her stories, like “Depression” are truly unforgettable because it is relatable and with the use of occasional language, comedy, and the “little adult” topics show that this webcomic is also for young adults.
At a glance, both the print and webcomic might show how Brosh’s comic is simplistic and unsophisticated, though very quickly the reader can grasp evidence in why that it is done on purpose, amplifying her comic abilities. Furthermore, the comics serve as an extension of her writing. Brosh doesn’t spend a lot of time describing the physical world around her, but instead leaves that to her illustrations. The exaggeration of her drawings illustrates the odd moments in life that cannot be fully expressed by words, but once seen, makes sense.
After analyzing “Hyperbole and a Half”, I had a lot of fun reading through Brosh’s webcomic and finding a new culture, a new genre of webcomics and hope to gain more insight on it.
Visual Communication 